Thank you for your interest in our ballet competition. We are delighted to provide you with an overview of our event and what you can expect when participating or attending.
Our ballet competition is an annual celebration of the exquisite artistry and talent within the ballet community. Dancers from various backgrounds and skill levels come together to showcase their abilities and passion for this timeless art form.
Division 1 will have the opportunity to perform a classical and a contemporary variation. Divisions 2 and 3, dancers have the opportunity to perform two classical variations as well as a contemporary variation. This allows them to demonstrate their broad technical skills and artistic expression in front of a discerning panel of judges.
In these divisions, participants will perform their first variation in a black leotard. This presentation focuses solely on the dancers' technical abilities, allowing the judges to assess their form, precision, and control. It's an opportunity for dancers to showcase their technical prowess and attention to detail.
For the second variation, dancers have the chance to wear captivating costumes that bring their performances to life. The second variation can differ from the first, enabling dancers to explore different characters and emotions. However, it is important to note that the variations must be chosen from a provided list to ensure fairness and standardization.
The list of classical variations we provide encompasses a wide range of styles, allowing dancers to choose the ones that resonate with them. Each variation presents its own unique artistic and technical challenges, providing a platform for dancers to showcase their versatility and artistry.
Our competition fosters an environment of inspiration and camaraderie among participants. It is a chance for dancers to learn from each other, exchange ideas, and grow as artists. Additionally, the event serves as an incredible platform to witness the incredible talent and dedication within the ballet community.
Whether you are a participant or an attendee, our ballet competition promises an enchanting experience filled with grace, beauty, and the magic of dance. We invite you to immerse yourself in the world of ballet, witness the exceptional performances, and be part of this captivating event.
If you have any further inquiries or would like more information about our ballet competition, please do not hesitate to reach out. We look forward to welcoming you to our event and celebrating the artistry of ballet together.
The American Ballet Competition has three age divisions.
Age of each competitor is determined as of June 1.
Pre-Competitive: Ages 9 to 11
Juniors: Ages 12 to 15
Seniors: Ages 16 to 20
Variations selected from the classical ballet repertoire are to be chosen from ABC’s approved variation list – see Music.
Variation maximum time limit: 2.5 minutes in length.
Contemporary Dance is a genre of concert dance that uses methods found in modern, post-modern as well as classical and neo-classical ballet. Contemporary is based on the evolving philosophies of dance movement that often omits structured movement and form and draws on modern dance techniques. Some of the dance techniques and philosophies used includes those of the pioneers of contemporary dance such as Martha Graham, Loie Fuller, Jose Limon, Ruth St. Dennis, Merce Cunningham, Doris Humphrey and Mary Wigman, to name a few.
No tap or extreme hip-hop is to be incorporated in contemporary solo. Jazz and lyrical may be integrated as the choreography may require. Contemporary solos may be performed on or off pointe.
Contemporary solos time limits: no longer than 2.5 minutes and no shorter than 1.5 minutes.
Ensembles include duets, trios, groups of 4-30 dancers and Classical Pas de Deux couples.
Choreography may be from the classical ballet repertory or original choreography combining elements of contemporary and classical dance styles.
Ensemble time limits:
Duets & Trios – up to 3 minutes
Ensembles – 4 to 9 dancers up to 3:45 minutes; 10-20 dancers up to 5:30 minutes; 21-30 dancers up to 7 minutes
Pas de deux – up to 6 minutes, may include adagio and coda sections. No variations.
If applicable, for original or protected choreography not in public domain, it is the responsibility of the competitor’s teacher or coach to obtain any and all required choreographer’s and/or musical releases and to pay any required royalties.
Each dancer competing in the Solo divisions will be required to learn a Contemporary piece, and perform it the same day as part of their total score.
All Ensemble dancers not also competing in the Solo divisions, must participate in the 4 Master classes offered Wednesday through Saturday. Teachers/Judges (TBA)
Wednesdays Master class is offered in part to help acclimate you to the altitude at which you will be competing. Ogden, UT ranges from 4300 to 5200 feet above sea level.
For additional requirements, please see the Rules and Regulations Page
Email questions to americanballetcompetition@gmail.com
Competitors are required to bring their own music on a CD – each clearly marked with name, age, category, division, and title of performance piece.
Competitor is responsible for bringing backup CD for each performance selection and to keep it with them at all times.
Each performance piece must be on a separate CD with a 4 second lead-in.
CDs to be handed in at check-in. Performance number will be added to CD by ABC staff at check-in.
If applicable, competing student’s teacher or coach is responsible for obtaining any required choreographer’s and/or musical releases and is responsible for the payment of any royalties.
(Division I not eligible for performing pas de deux)
Coppélia
(Delibes/St.Leon)
Swanilda Act III Pas Variation
Doll Variation
Don Quixote
(Minkus/Petipa)
Cupid’s Variation
Flower Festival in Genzano
(Helsted/Bournonville)
Pas de Deux Variation
Harlequinade
(Drigo/Petipa)
Pas de Deux Variation
La Fille Mal Gardée
(Herold/Aumer)
Ages 9 & 10
La Fille Mal Gardée
(Hertel/Nijinska)
Ages 11 may choose
either composer
The Magic Flute
(Drigo)
Pas d’Action Variations
The Fairy Doll
Bayer/Hassreiter
Fairy Doll Variation
Paquita
(Minkus/Petipa)
Pas de Trois Variations Act I
Sleeping Beauty
(Tchaikovsky/Petipa)
All Fairy Variations
(except Lilac Fairy);
Little Red Riding Hood;
Aurora’s Variation Act III
Swan Lake
(Tchaikovsky/Petipa)
Pas de Trois Variations Act I
The Talisman
(Drigo/Petipa)
Pas de Deux Variation
Coppélia
(Delibes/St.Leon)
Franz Pas Variation Act III
Le Corsaire
(Prince Oldenberg/Adam/Drigo)
Pas d’Esclave
Flames of Paris
(Asafiev/Vainonen)
Pas de Deux Variation
Paquita
(Minkus/Petipa)
Pas de Trois Variations Act I
Satanella
(Pugni/Petipa)
Pas de Deux Variation
The Talisman
(Drigo/Petipa)
Pas de Deux Variation
Long List Ballet Solos, Round 1 (Performed in Costume)
Coppélia
(Delibes/Saint Leon)
Pas de Deux and Variations
Diana and Acteon
(Drigo/Vaganova)
Pas de Deux and Variations
Don Quixote
(Minkus/Petipa)
Pas de Deux Act III; Kitri’s Variations Act I & II;
Queen of Dryads, Act II & III;
All Variations
La Esmeralda
(Pugni/Petipa)
Pas de Deux and Variations
La Fille Mal Gardée
(Hertel/Nijinska)
Pas de Deux and Variations
The Flames of Paris
(Asafiev/Vainnonen)
Pas de Deux and Variations
The Fairy Doll
Bayer/Hassreiter
Fairy Doll Variation
Flower Festival in Genzano
(Helsted/Bournonville)
Pas de Deux
Giselle
(Adam/Coralli)
Peasant Pas Act I Variations;
Pas de Deux Act II
Giselle's Act I Variation
Grande Pas Classique
(Auber/Gsovsky)
Pas de Deux and Variations
Harlequinade
(Drigo/Petipa)
Pas de Deux and Variations
La Bayadère
(Minkus/Petipa)
Gamzatti and Solor Act II Variations;
Bronze Idol;
Nikia Pas de Deux Variations;
Three Shades Variations Act II
Le Corsaire
(Drigo/Petipa)
Three Odalisques;
Pas d’Esclave and Variations;
Jardin Anime Variations;
Pas de Deux Act III and all other Variations
Les Sylphides
(Chopin/Fokine)
Mazurka, Waltz and Prelude
Napoli
(Paulli/Bournonville)
All Variations
Paquita
(Minkus/Petipa)
All Variations (*under 2:30 min)
Pas de Quatre
(Minkus/Petipa)
Pas de Deux and Variations
Raymonda
(Glazunov/Petipa)
All Variations except Raymonda’s
Adagio Variation Act III
Satanella—Carnival of Venice
(Pugni/Petipa)
Pas de Deux and Variations
The Sleeping Beauty
(Tchaikovsky/Petipa)
Aurora Act II;
Fairy Variations;
Bluebird Pas de Deux Variations;
Wedding Pas de Deux Variations Act III
Swan Lake
(Tchaikovsky/Petipa)
Odette Act II;
Black Swan Pas de Deux and Variations
The Talisman
(Drigo/Petipa) Pas de Deux and Variations
Walpurgis Nacht
(Pugni/Lavrovsky)
Pas de Deux and Variations
Short List Ballet Solos, Round 2 (Performed in Black Leotard, can be the same as costume variation)
Coppélia
(Delibes/St.Leon)
Swanilda Act III Pas Variation
Doll Variation
Don Quixote
(Minkus/Petipa)
Cupid’s Variation
Flower Festival in Genzano
(Helsted/Bournonville)
Pas de Deux Variation
Harlequinade
(Drigo/Petipa)
Pas de Deux Variation
La Fille Mal Gardée
(Herold/Aumer)
Ages 9 & 10
La Fille Mal Gardée
(Hertel/Nijinska)
Ages 11 may choose
either composer
The Magic Flute
(Drigo)
Pas d’Action Variations
The Fairy Doll
Bayer/Hassreiter
Fairy Doll Variation
Paquita
(Minkus/Petipa)
Pas de Trois Variations Act I
Sleeping Beauty
(Tchaikovsky/Petipa)
All Fairy Variations
(except Lilac Fairy);
Little Red Riding Hood;
Aurora’s Variation Act III
Swan Lake
(Tchaikovsky/Petipa)
Pas de Trois Variations Act I
The Talisman
(Drigo/Petipa)
Pas de Deux Variation
Carnivale of Venice
(Pugni/Petipa)
Satanella Pas de Deux Variation
Giselle
(Adam/Coralli)
Albrecht Act II
Coppélia
(Delibes/St Leon)
Franz’s Act III Variation
Flower Festival in Genzano
(Helsted/Bournonville)
Pas de Deux Variation
Paquita
(Delvedez/Minkus/Petipa)
Pas de Trois Act I Male Variation
Sleeping Beauty
(Tchaikovsky/Petipa)
Prince Désiré Act III Variation &
Bluebird Variation
Swan Lake
(Tchaikovsky/Petipa)
Prince Siegfried Act III Variation
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.